Alan Jackson's new release has drawn mixed reviews. One thing critics can agree on: Fred Eaglesmith's "Freight Train," covered by Jackson is a mighty good song.
Review: Alan Jackson in comfort zone on new CD by Michael McCall (Huffington Post): "CHECK THIS TRACK OUT: The title song, written by Fred Eaglesmith, is a hard-rolling acoustic boogie tune that gives the singer and his expert studio band a chance to fire up some locomotive power."
Review by JOHN WIRT in 2TheAdvocate.com: "And there’s the occasionally less comfortable song, the best of which is title track “Freight Train,” a Fred Eaglesmith song driven by a racing train beat and yearning to get out of Dodge."
Winnipeg Free Press: "Heck, who but Alan Jackson could cover a classic from the catalogue of Canadian alt-country icon Fred Eaglesmith (the title track) and make it sound like it was something he wrote himself?"
CD review: Alan Jackson’s “Freight Train”By Michael Corcoran: "On his latest album, which hits stores today, the Georgia native finds such originals as “Every Now and Then,” the pandering lead-off track “Hard Hat and a Hammer” and “That’s Where I Belong” (surprising only because it took Jackson this long to write a song called “That’s Where I Belong”) overshadowed by such writers as Fred Eaglesmith (title track) and Jay Knowles and Adam Wright (“Taillights Blue”). "
According to the Nashville Skyline column on CMT.com, the Alan Jackson's new album, Freight Train features a title track penned by Fred Eaglesmith, one of my favorite singer songwriters.
The original version appears on Eaglesmith's classic album Drive-In Movie. It's a rave-up roots classic featuring sharp, gritty lyrics of love lost, but not quite forgotten.
Wish I was a freight train baby
Wish I didn't have a heart
And you'd need a shovel for the coal
Just to get me started
Check out live performances by Eaglesmith on YouTube and various live versions of the song, as well as the original. And check out Alan Jackson's take on his latest album when it's released March 30 (available for pre-order on Amazon.)
This one starts with the "famous" Eaglesmith elephant joke:
Matthew Sweet and Susanna Hoffs must have a great record collection. The kind I would have cherished as a teen growing up in the 1970s. The kind I would have gratefully borrowed from with maybe more than a few forgotten returns.
Thankfully, they again give us a peak into their stacks of hot wax with Under the Covers, Vol 2.
With 2006's Under the Covers, Vol. 1, Hoffs and Sweet took a deep dive into 1960s pop, rock, and folk, covering songs by the Beatles, Neil Young, The Who, Beach Boys, Stone Poney's and The Mamas and the Papas. Under The Covers, Vol. 1 Under the Covers, Vol 2's time machine transports us to some of the best and most interesting songs of the 1970s, including two covers from my favorite album of the period and the first I ever purchased with my own money, Todd Rundgren's Something/Anything ("Couldn't I Just Tell You" and "Hello It's Me").
And where else are you going to find Big Star ("Back of the Car") and Bread ("Everything I Own") on the same release?
Hoffs and Sweet aren't timid either. Along with two covers from the seminal Something/Anything, they feature cuts from some of the most iconic artists and releases of the period, including Derek and the Dominos' "Bell Bottom Blues," and Fleetwood Mac's "Second Hand News" from the big footprint album of the decade, Rumours.
I enjoy listening to Hoffs sing just about any song. She's a standout on "Maggie May" and "You're So Vain" (with Sweet providing the Mick Jagger harmonies). And I've been a major fan of Sweet's guitar and vocals since "Girlfriend." They have a great feel for the material and a nice chemistry to their performance. Must have something to do with all that mojo they garnered playing in the Austin Powers' band.
Even more than Vol 1, this is great party-on-the-patio or driving-with-the-top-down music. And if you can, find the Deluxe Edition, with double the number of cuts including a spirited rave up of the Ramones' "I Wanna Be Sedated" and Matthew Sweet's extra crunchy guitar and vocals on Television's "Marquee Moon."
And that's probably my favorite thing about this collection: The covers are endlessly enjoyable, but Sweet and Hoffs also got me to seek out some songs I've neglected for too long -- like Television and Big Star's originals. And I've been staging mini Rundgren listening parties throughout the week.
That's the highest praise for a cover performance -- you enjoy the homage and at the same time renew an appetite for the original recipe.
Looking forward to Hoffs' and Sweet's take on 1980s musical history. But if they decide to stay in the 1970s a little longer, that's OK with me.
Favorite cuts (from the Deluxe Edition): "Back of the Car," "Marquee Moon," "Sugar Magnolia," "Killer Queen," and I have to confess, I can't get their cover of Eric Carmen's "Go All the Way" out of the jukebox in my brain.
It's been a long, long time since I shouted "Bruce." While I'm still a fan of the Boss, my Springsteen fever peaked in 1978 with the release of Darkness on the Edge of Town.
But there are standout Springsteen songs from the 1980s and 1990s. Sometimes it takes a solid cover version to remind you to sit up and listen. Two Boss tribute tunes I've been spinning lately are:
Mendoza Line's version of “Tougher than the Rest” from the band’s final two-disc set 30 Year Low. I love Shannon Mary McArdle's voice and she sings the heart out of this rebound ballad, both tempting you to and scaring you from taking her up on the song's offer. The band might be gone, but the music lives on. If you're late crossing the Mendoza Line, there's still time to check out the music.
And while Kelly Dalton's take on "I'm on Fire" is maybe a little too faithful to the original, there's just enough high-lonesome twang in his voice and the slide guitar to add new shades of longing and despair to a classic hard-luck love song.